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Gedit Pd-0.40.3-extended/externals/pdp/modules/generic/pdp_rawout. You need to add this to the function arguments in the specific file:: The version of pdp included in the pd-extended source package calls the open function to create a new file but does not specific the permission of this file which the libc in Intrepid wants. Here is a list of source file changes that need to be made in order for all externals to compile correctly on Intrepid. The pd-extended source tarball does not come with Gem, so you can grab it from the pd-extended autobuilds with rsync and place it in the Pd-0.40.3-extended folder:: To ensure that Windows knows that gedit is a text editor, use Windows Explorer to navigate to c:Program Files (x86)geditsharedocand right-click on README, and select Open. Hopefully in the near future this step will not be necessary. Download and install the gedittext editor for Windows. I did this as the 0.41 pd-extended core does not (as yet) have the 64 bit table bug resolved (tables are only read half way). ![]() Mkdir ~/Desktop/pd-build & cd ~/Desktop/pd-buildĭownload the source package for Pd-Vanilla 0.42.4, extract it, and use it to replace the Pd core source in the Pd-0.40.3-extended folder. Open your terminal, make a folder to work in and change directory to it. To get it working, I just replaced Gem.pd_linux with the one found in the karmic-repositories - this is a really ugly solution, but it seems to work.įirst we need to download the source files to build the package. Mkdir -p unpack/DEBIAN build & dpkg -x Pd-0.40.3-extended_b unpack/ & dpkg -e Pd-0.40.3-extended_b unpack/DEBIAN/įor one reason or another, pix_image doesn't work with the packaged GEM. Works almost flawlessly with **ubuntu 9.10** (karmic koala) as well: just had to remove the ttf-bitstream-vera dependency (is now ttf-dejavu, bitstream vera comes with gem anyway) in the control file of the deb and repackage it: ![]() This package is not a *true* pd-extended build but Pd-Vanilla 0.42.4 with all of the pd-extended externals so ? is not available (sorry), read below. It was based off of the BuildingPdExtended, GettingPdSource, and 64BitLinux instructions on making a package for Ubuntu 8.04 Hardy Heron. ![]() This is a quick guide on building an amd64 pd-extended package for Ubuntu 8.10 Intrepid Ibex 64 bit as there is currently no 64bit. = Building pd-extended for 64 bit Ubuntu Intrepid = ![]() ![]() Yet some studies show that in associative learning, animals learn to time the arrival of reinforcement from the outset of conditioning 2-7 and such temporal encoding has been suggested to be a fundamental component of associative learning 8. The tasks classically used in the literature to assess interval timing in animals, necessitate numerous training sessions and involve a motor response from the animal 1. Interval timing refers to the ability to time intervals ranging from seconds to minutes and guides fundamental animal behaviors like the anticipation of rewarding or aversive events. In addition, our data bring the novel idea that the respiratory rhythm might take part in the setting of theta activity dynamics related to timing. This suggests a preferential role for theta rhythm in interval timing. In contrast, gamma temporal curves were modulated by the interval duration only in the mPFC, and in a manner that did not respect scalar property. We found that akin to respiration patterns, theta temporal curves were modulated by the duration of the odor-shock interval in the four recording sites, and respected scalar property in mPFC and DMS. We investigated the temporal patterns of respiration frequency and of theta and gamma activity power during the odor-shock interval, comparing two interval durations. ![]() Here we monitored respiration to visualize anticipatory behavioral responses in an odor fear conditioning in rats, while recording theta (5-15 Hz) and gamma (40-80 Hz) brain oscillatory activities in the medial prefrontal cortex (mPFC), basolateral amygdala (BLA), dorsomedial striatum (DMS) and olfactory piriform cortex (PIR). In fear conditioning, where a conditioned stimulus predicts the arrival of an aversive stimulus, the animal encodes the time interval between the two stimuli. 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If we don’t tell it that the viewport area has been shrunken in size, it will try to shoe horn all of the content into a smaller size, which doesn’t work very well! This is all part of setting a viewport-browsers frequently assume we want to view content as if we’re on a desktop PC. ![]() Now, let’s take a look at the same text, but this time with a viewport directive set:Įven though this is a simple example, do you notice any difference? Yes, the title color has changed, but more importantly the width of our display has increased. This example was created from displaying some text in Chrome, in iPhone 6 Plus emulation mode, but without a viewport. To see what a difference not setting a viewport can have, take a look at this example screenshot: This means that the browser should render the width of the page to the same width as the browser window-if, for example, the latter is 480px, then the width of the page will be 480px. There is a temptation to reach for JavaScript (or a library, such as jQuery) to set values, such as viewport width or height: there is no need, as we can do this using CSS: If we’re working with desktops, then it is usually the resolution this is not the case for mobile devices. Controlling the viewportĪ key part of RWD is working with the viewport, or visible content area on a device. We will cover each in more detail later in the book, but for now, let’s have a quick overview of the elements that make up RWD. There are several key elements involved-in addition to viewports, these center around viewports, flexible media, responsive text and grids, and media queries. A key part of this is understanding the viewport or visible screen estate available to us-in addition, there are several key elements that make up RWD. Now that we’ve been introduced to RWD, it’s important to understand some of the elements that make up the philosophy of what we know as flexible design. This is what responsive web design is all about-producing a flexible design that adapts according to which device we choose to use in a format that suits the device being used. ![]() We can clearly see the same core content is being displayed (that is, an image of the book, the buy button, pricing details and information about the book), but element such as the menu have been transformed into a single drop down located in the top left corner. The mobile view for the same website shows this if viewed on a smaller device: Go ahead and browse to this is what we will see as a desktop view: The best part of this is that we can use this technique without the knowledge or need of server based/backend solutions-to see it in action, we can use Packt’s website as an example. This will contain fluid, flexible images, proportion-based grids, fluid images or videos and CSS3 media queries to work across multiple devices and device resolutions-the key to making them work is the use of percentage values in place of fixed units, such as pixels or ems-based sizes. We develop a single website that uses a single code base. ![]() This ensures that the users get the best experience while using the website. It is an approach in which a website or a webpage adjusts the layout according to the size or resolution of the screen dynamically. The property of water is that it takes the shape of the container in which it is poured. To understand what this means, let’s use water as an example. If one had to describe Responsive Web Design in a sentence, then responsive design describes how the content is displayed across various screens and devices, such as mobiles, tablets, phablets or desktops. Getting started with Responsive Web Design In this article by Alex Libby, Gaurav Gupta, and Asoj Talesra, the authors of the book, Responsive Web Design with HTML5 and CSS3 Essentials we will cover the basic elements of responsive web design ( RWD). |